Don't feed the plants- but do feed your need for great theatre! CenterPoint Theatre's Little Shop of Horrors takes audiences on a delightfully dark trip to Skid Row that's big on talent, humor, and heart. This cult classic truly thrives under CenterPoint's care and is bursting with energy, as well as creativity. I can honestly say this is one of the best shows I've ever seen at CenterPoint!
What makes this production shine brightest is its cast. Each performer brings a unique spark that elevates the story and keeps the audience hooked from the very first note. There were so many wonderful moments of surprising depth that proved just how much heart lies beneath all of the horror. While every cast member contributes to the show's success, several key performers deserve special mention. Seymour (Isaac Carrillo) did a wonderful job capturing both the awkward charm and nature of Seymour as well as the moral conflict of the character. Followed by a wonderful voice and stage presence, Carrillo's portrayal of Seymour was endearing and heartbreaking. Emily Henwood as Audrey was played warm and vulnerable with crystal- clear vocals in songs like "Somewhere That's Green", and brought a strikingly perfect balance between humor and heartache. The booming voice of Audrey II by Austin Payne steals the spotlight with commanding vocals and sly comedic timing. The trio of streetwise narrators keeps the energy high throughout, with tight harmonies and sharp choreography that form the story beautifully. Crystal (Daysha), Ronnette (Ariana Marshall), and Chiffon (Annakaitlyn Burningham) were my favorite part of the whole show, commanding my attention every time they stepped onstage. Their dynamic stage presence became the heartbeat of the show, and they did a great job guiding the audience through the story.
Of course, the magic behind the entire production wouldn't be possible without the skillful direction and design choices by the production team. Bringing Skid Row, and especially Audrey II to life, is no small task, and this production team did it seamlessly and created a very entertaining experience. Under the thoughtful direction of Ryan Bruckman, the pacing never once lagged which kept the story engaging and tight. Kimberly Teitter and David Martin did a great job guiding the cast through a challenging score that resulted in wonderful precision in rich harmonies and powerful solos. The choreography by Ben Roeling added so much energy without it feeling forced. I especially appreciated how much choreography was woven throughout the entire production giving it so many more levels and visual interest because I feel that the choreography for this show is often overlooked in other productions of Little Shop of Horrors that I've seen. The set design (Truxton Moulton) and lighting design (Jordan Fowler) really transformed the stage into a gritty and grungy Skid Row that perfectly matched the energy and vibe of the show.
Centerpoint Theatre's Little Shop of Horrors proves once again why community theatre in Utah matters so much! With its mix of horror, humor, and heart, this production truly celebrates local talent and is a big reminder of how live theatre can bring a community together. This cult- classic and charming show carves out its own fresh identity, and is guaranteed to leave audiences entertained long after the final bow. Be sure to catch this killer plant before it's gone! This show is one you don't want to miss.
Theatre matters, theatre is important, theatre is impactful.
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